Music and acting have always been an important part of my life. I can’t say I was bit by the “bug,” as the bug just seemed to always be quietly sitting on my shoulder. The bug grew, and got louder. I started off singing hymns in four-part harmony with my parents and siblings at church (yes, we were that cheesy family…), moved up to playing guitar and singing a duet from Godspell in my high school talent show, graduated to teaching music in a NYC Ivy League prep school, and then made a slight turn to performing lead roles around the country in opera and musical theater, while still working with kids and belting some jazz/R&B from time to time. Perhaps I’m a bit artistically ADD, but somehow, inhabiting all these roles seems to bring a bit of sanity to my most demanding role of Mom.

For a bit more detailed bio, read on…!

New Yorker Michelle Jennings has been called “a commanding and attractive presence on stage with an expressive voice of great beauty and power,” (Baltimore Sun). This past season, Michelle played Genie Klein in White Plains PAC’s Beautiful: The Carole King Musical, where she later returned to be Lady Beaconsfield in Jekyll & Hyde; Dee Dee Allen in The Prom at Media Theatre (PA),  and Mrs. Fairfax in Off-Brand Opera’s Jane Eyre (NYC). Other recent performances include Ariel in Fireside Theatre’s Grumpy Old Men (WI); Fiordiligi in Cosi fan Tutte, with Ninth Avenue Opera in NYC and Cleveland; Mother Abbess in The Sound of Music with Black Rock Theatre (CT), and she was an off-stage swing for four roles in Milwaukee Rep’s production of Titanic, The Musical (going on as Ida Straus); and Donatella in the NYC premiere of Mike and Mindy’s Wild Weekend Jam, at The Players’ Theatre.  She originated the role of Thjodhild in the film, Freydis and Gudrid, a Viking Opera, which was released on Amazon Prime Video in 2024. Other favorite lead roles in opera and musical theater performances include SweeneyTodd, The Music Man, La Cenerentola, Die Fledermaus, La Boheme, and South Pacific, performed in Virginia, Florida, Hawaii, Connecticut, New York, Oklahoma, and Washington, DC. She is also a member of the comedic opera duo, Divas Unleashed, who wrote and perform their operatic comedy show, The Benefit, around the U.S.

Michelle has performed and recorded concerts of jazz, oratorio, musical revues, gospel and pop for television shows, commercials, studio recordings, and movie underscoring, heard in the US, Great Britain, Japan and Italy. A former school music teacher, Michelle stays connected with teaching children by raising money for New York City Public Schools music programs and teaching music classes to kids in the South Bronx and Manhattan. An over-the-top NY Yankees fan,  Michelle lives in Manhattan with her husband, pianist-composer Dr. Tom Jennings, and their two kids.

For me, the major delight of this production was discovering soprano Michelle Jennings, who played the role of Marian. Jennings has an     expressive voice of great beauty and power that would be at home on any stage, and she is an accomplished actress whose every word was clearly intelligible.  – Baltimore Sun

Jennings’ Yum-Yum is a remarkably flighty, self-absorbed creature, full of giggles and herself. But when she sings, the effect is close to magical.   -Tulsa World

A young singer of exceptional talent, pretty Michelle Jennings used her lovely soprano effectively … her vocal ease and tone quality in the coloratura ornamentation were extraordinary.  – Sarasota Herald-Tribune

Michelle Jennings (Nellie Forbush) is a perfect fit as the optimistic young nurse from Little Rock, establishing herself as our heroine in her first number.                                           – Honolulu Star-Bulletin

Michelle Jennings was a sparkling, tempestuous Musetta who could flirt outrageously and fight passionately, and her more serious moments were a model of first-class acting and singing. – Asheville Citizen-Times

Jennings as Nellie is an excellent contrast to Loyd’s Emile. She moves about the stage with a kind of gawky grace, as if literally feeling her way through the world.                        – Tulsa World

For a change, I could actually understand the words sung by the sopranos, particularly those of Michelle Jennings. The latter is marvelous as the spunky Mabel, whose bel canto trills in ‘Poor Wandering One,’ qualify her for grand opera.                          – Town & Village (NYC)